Can’t get enough of Christmas? You’ll love the prequels and sequels.
It is the season for prequels and sequels. Mary Poppins is the big sequel this year. It’s the first year since 2012 that there hasn’t been a hobbit or a stormtrooper on the big screen. Fans will have to wait until next Christmas for Star Wars: Episode IX.
I watched the first Star Wars—later retitled as Episode IV: A New Hope—when it came out in 1977. I might not have seen it at all had our dorm’s resident adviser not insisted I go. He said, “Looper, you’ve got to see this movie. There’s a guy in it that looks exactly like you. Exactly.”
“Really?” I asked.
“You’ll know him when you see him. His name is Chewy.”
The movie was fun and my friends and I saw the resemblance with my doppelganger, but I didn’t realize at the time that the movie fit into a larger narrative. It had a backstory—a prequel—and would have a fore-story—a sequel.
Christmas is like that. It is intriguing and satisfying: the tale of an unwed mother and an ostracized family, an angelic messenger, and noble shepherds. We can enjoy it without knowing the rest of the story—or even that there is a rest of the story. We can enjoy it, but we won’t grasp its importance until we understand how Christmas fits into the larger narrative.
Christmas has a prequel and a sequel, and it only makes sense within the context of the larger story of what God is doing in the world. What makes this story different from others is that we are not merely viewers; we are participants. The story is interactive: We have a role and the story adapts itself to how we play it.
The origin story of Christmas
What is the prequel to the Christmas story? To relate it in any detail …
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