Reformed tweaks to Methodist hit raise the question: Should hymns keep the theological orientation of their authors?
The worship team at The Gospel Coalition’s recent women’s conference selected “Great Is Thy Faithfulness” to conclude speaker John Piper’s remarks. But the prolific preacher and writer was concerned that the lyrics didn’t thematically match his sermon. So, he wrote two additional verses:
I could not love Thee, so blind and unfeeling;
Covenant promises fell not to me.
Then without warning, desire, or deserving,
I found my Treasure, my pleasure, in Thee.
I have no merit to woo or delight Thee,
I have no wisdom or pow’rs to employ;
Yet in thy mercy, how pleasing thou find’st me,
This is Thy pleasure: that Thou art my joy.
Piper is well known for his Reformed convictions, including the “Christian hedonism” reflected in the new lyrics. But the author of this famous hymn, Thomas Chisholm, was a Methodist, which means that he most likely held Wesleyan-Arminian views like his denominational fathers, John and Charles Wesley (though a third co-founder, George Whitefield, led a Calvinist minority within the movement).
In 2018, a scholarly “vetting team” of the United Methodist Church gave “Great Is Thy Faithfulness” the green light for its theological content, based on the “criteria of adherence to Wesleyan theology, appropriate use of language for God and humanity, and singability.” (The team is tasked with reviewing the CCLI Top 100 because most of its worship songs come from “artists whose theological traditions are not generally Wesleyan-Arminian” and instead are “charismatic, Pentecostal, Calvinist, or neo-Calvinist.”) While the hymn was among the 40 out of 100 top songs deemed to have “few if any obstacles …
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